Based in suburban LA, Hugo Rocha creates uncanny works demonstrating his particular sense of drama and ongoing interest in telenovelas, re-imagining still images from favorite episodes in dynamic and engaging ways. Rocha’s fascinations are translated into portraits of cartoonish characters within elaborate, eerily staged interiors and landscapes.Read More
This year begins with stunning solo exhibitions featuring two of this movement’s greatest contemporary artists - Helen Rae at The Good Luck Gallery in Los Angeles and Marlon Mullen at JTT in New York.Read More
A robust visual language slowly unfurls across Albarran’s supersaturated drawings, her personal preoccupations translated here through densely applied colored pencil marks. Endearing yet grotesque tableaux are populated by impossible pregnancies, deconstructed cheeseburgers, disarticulated jaws, splayed toes and fingers, disembodied eyeballs, knobby phalluses, and prolapsed organs.Read More
Helen Rae, one of the progressive art studio movement's rising stars, currently has recent work on view at White Columns in NYC, marking her first east coast solo exhibition. Rae is quickly emerging as an important figure in this movement; her work is striking, wildly popular, and at 78 years old, her practice is one of great dynamism and momentum.Read More
Susan Te Kahurangi King’s current exhibition marks her second, highly anticipated solo show at Andrew Edlin, following the critically acclaimed debut of the New Zealand-based artist with the space in 2014, Drawings from Many Worlds. Known for her vibrant and frenetic biomorphic abstractions, Drawings 1975 - 1989 curated by Chris Byrne and Robert Heald features a lesser known series from her prolific and consistently impressive practice...Read More
Recent Drawings, at The Good Luck Gallery in LA, is a beautiful collection of colored pencil and graphite works on paper by Helen Rae. These drawings live in a space between the realms of representation and abstraction, most often realized as figures surrounded by ambiguous, pattern-driven environments resembling textiles or foliage.
Rae’s incredible abstractions aren’t merely expressive, stylized reimaginings of found photos and magazines; each drawing seems to engage and elevate its source image with drive and ambition. Rae seems to search through the image, read it like a rich text, and celebrate every passage - the shadow of a frame against the wall, heel of a shoe, zipper on the side of a bag, are all described with incredible detail and conviction. Inevitably, the figures and faces remain expressive and bold, even as they’re nearly lost in a cacophonous ecstasy of patterns.
Lucien Freud said that “...truth has an element of revelation about it. If something is true, it does more than strike one as merely being so...” In exactly this sense, Rae’s works are undeniable revelations. The impact of the clean, uniform installation is vibrant and specific, further emphasizing the singularity of each drawing.
Much like LA-based artist Eric Yahnker, Rae explores the limits of the often overlooked and rarely mastered medium of colored pencil. These achievements are the direct result of engaging in an uncommonly committed creative practice. Rae has been a studio member of First Street Gallery Art Center since it’s founding in 1990 - First Street’s Seth Pringle asserts, “Helen's focus and dedication in the studio are unmatched. She rarely misses a day and when she's in the studio she's always working diligently. The style and execution of her drawings have slowly but steadily evolved over the course of her 25 year career, growing in compositional complexity to its current state of mind-boggling beauty and intensity.”
The Good Luck Gallery is currently the only commercial exhibition space in Los Angeles devoted to self-taught artist programming. Owner Paige Wery was previously the publisher of Artillery, a contemporary art publication based in LA, for six years before opening the exhibition space in 2014. Wery became familiar with Rae’s work during an initial First Street Gallery studio visit; several people had suggested that she visit their location in Claremont, California due to the quality of art being produced under their long-standing, excellent program. Rae’s show has been wildly successful, selling out early and generating a waiting list for new work.
Over the past several years, interest in the work of self-taught artists (historically referred to as Outsider or Visionary artists) has gained momentum as the contemporary art world becomes increasingly pluralistic. Wery remarks, “It’s very exciting to see the attention that Outsider Art has received over the last few years. I give huge credit to Massimiliano Gioni, who included outsider work with contemporary work at the 2013 Venice Biennale. I think that made a huge difference. The fact that contemporary fairs are including my program and other outsider galleries is a sign that things are moving in the right direction. Museums are showing and accepting Outsider Art into their collections far more often. I’m proud to have joined the champions furthering the exposure and dialogue of self-taught art. The conversations with collectors, artists, dealers, and casual visitors about self-taught art has been extremely encouraging. It seems the art being shown and the dialogues taking place at The Good Luck Gallery are already making a difference.”
Rae’s work has been featured previously in various exhibitions in New York, Boston, Washington D.C., Scotland, Belgium, Japan, and extensively in California. Rae has been based in the Claremont area since 1938.
Helen Rae: Recent Drawings
April 18 - May 16, 2015
The Good Luck Gallery
945 Chung King Road (Chinatown)
Los Angeles, CA 90012
Wednesday – Sunday
Noon – 5PM and by appointment
"David Holt (b. 1984) expressed an early interest in music, romance and celebrities through his artwork as a member of Chicago’s Gallery 37, an after-school job-training program in the arts. In 2009, with the death of his grandmother, Holt turned his attention to obituaries, or “memorial portraits” of important persons. His canvas painting and drawings on cardboard are direct and show his sense of immediacy – he begins to work as soon as obituaries are posted and drawings are typically finished in one day." (more)
Long-time artist of Project Onward in Chicago, David Holt is also a long-time favorite of ours; he's presently the only artist represented in the collections of both Disparate Minds writers. Each time a work is sold, he adds it to a detailed log that he maintains, including the piece's intended geographical destination. Holt's works are simple in form and direct in technique - his graphite and colored pencil drawings are most often fairly small and executed on cardboard. Somehow, though, he prolifically creates work with a presence and gravity that's mysterious and consistently compelling.
From intricate maps to extensive interiors, Zaldivar's colored pencil and marker works on paper are a spectacle of diligent truth to their various subjects - street/public transit maps, LA area landmarks, disposable local business mailers, and pop culture references. Self-taught and prolific, he has been making art since early childhood; presently he's a studio artist at First Street Gallery Art Center (part of the Tierra del Sol Foundation).
Zaldivar recently exhibited work in Wunderkammer, an invitational group show at Pitzer College's Nichols Gallery and previously at First Street Gallery. He currently has work in Own It, a First Street Gallery benefit show at the Ginger Eliot Exhibition Center. He has also acquired several commissions from local businesses including Claremont’s Some Crust Bakery and Folk Music Center, Spaggi’s restaurant in Upland, Nate & Al’s Delicatessen in Beverly Hills, Western Rentals in Fontana, and Hamer Toyota in Mission Hills.