Mary Ann refers to all of her works as her “creations”. Like a story teller, she’s inspired by a combination of personal experiences in her daily life and concepts that she values, such as motherhood and heaven. Consequently, her works have a narrative feel - depictions of people and places that may be part of a story.
Mary Ann’s process, however, is not guided by narrative, but rather by an ambition to create. As a result of this, her subjects aren’t rendered as two-dimensional images, but intended to exist in their own right, in a two-dimensional world. In effect, her imaginative nature inevitably imbues the world she creates with a narrative life, but this distinction in her creative practice is important. Because she's creating rather than depicting, a figure, for example, is drawn in its entirety before clothing is drawn onto it - often a layer of flesh tones is painted before a subsequent layer of paint is added for the color of their clothing. If she includes shoes or gloves for a figure, she draws them around the foot or around the hand, rather than over it. Figures standing in front of a train are placed below the train, rather than in front of it, because both the train and people are created separately. Mary Ann has a highly original way of translating her perception of reference images onto paper, often distorting the scale of objects and editing out details that don’t fit her vision.
In the world she creates, scale is an expressive choice; each form is given whatever space it needs to exist and relate to the world it occupies. Ultimately in her work, she creates people and things to stage a still, timeless moment that’s simple, complete, and good.
Mary Ann James maintains a studio practice at The Canvas, a progressive art studio in Juneau, Alaska.