Dance, Dance, Dance at Circle Contemporary

Pulling from Arts of Life artists, the broader contemporary art community, as well as his personal collection, Tyson Reeder has assembled an exhibition representing a diverse range of concepts and approaches. The resulting installation is bright and lively - an exuberant arrangement of individualistic and intuitive works.

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Marlon Mullen's Monumental Year

From the Whitney Biennial to SFMOMA, the past year has been a remarkable one for Marlon Mullen. Mullen (born 1963) maintains a prolific painting practice at NIAD’s studio in Richmond, California. Represented exclusively by JTT in New York and Adams & Ollman in Portland, Mullen has upcoming exhibitions at Adams & Ollman, Independent Art Fair, and the Frans Hals Museum.

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SUMMERTIME

SUMMERTIME, the latest forward-thinking initiative spearheaded by arts professionals coming from progressive art studios, opened on December 13th in Brooklyn. In addition to inclusive gallery programming, this non-profit collective aims to cultivate a communal space for contemporary artists with developmental disabilities to create work alongside artists without…

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William Tyler

Generated through interweaving narratives from the news, historical events, his imagination, and personal memories, William Tyler’s fantastically inventive drawings are abundant with distinctive imagery ranging from the everyday to the magical. Having maintained a creative practice in Creative Growth’s Oakland studio since November of 1977, Tyler has produced an extensive and complex body of work spanning forty years.  

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Kerry Damianakes

Over the past 35 years, Oakland-based artist Kerry Damianakes has amassed an extensive body of unconventional and playful works directly informed by her desire to reproduce the everyday. Damianakes remains primarily committed to an ongoing series of velvety oil pastel drawings - faithful tributes to foods that alternately elicit a state of well-being or decadence.

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Andrew Hostick at Western Exhibitions

Hostick’s current solo exhibition and Yellow at Western Exhibitions includes a selection of 11 works completed over the past several years. Unframed, these intimate graphite and colored pencil drawings are mounted directly on the wall, allowing viewers to experience the salient physicality of their surfaces without a barrier. Born in 1962, Andrew Hostick has maintained a creative practice at Visionaries + Voices’ Cincinnati studio since 2010.

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Dave Krueger

Heavily driven by an ongoing fascination with pop culture, Dave Krueger’s maximalist aesthetic is defined by dense systems of geometric shapes and asymmetrical grids. Between fantastical narrative passages, the surface is populated with symbols, numbers, occasional text fragments, and numerous decorative patterns comprised of diamonds, asterisks, zigzags, circles, crosses, and X’s.

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Slow Read at Circle Contemporary

Our latest curatorial endeavor, Slow Read at Circle Contemporary in Chicago, is a diverse selection of recent works that represent ongoing pursuits of material manipulation and process, while remaining tethered to narrative, memory, or the spiritual.

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Chicago

Since 2014, Disparate Minds has been an itinerant endeavor which initially began through an extended road trip to visit progressive art studios across the country. Advancing this project in Chicago begins with the understanding that there’s something radical and crucially important happening in these studios which transcends art and disability

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Hugo Rocha

Based in suburban LA, Hugo Rocha creates uncanny works demonstrating his particular sense of drama and ongoing interest in telenovelas, re-imagining still images from favorite episodes in dynamic and engaging ways. Rocha’s fascinations are translated into portraits of cartoonish characters within elaborate, eerily staged interiors and landscapes.

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Ernie Titus

Titus’ work is divergent from traditional concepts of drawing in that the element of mask-making is central to his execution. Rather than creating sculptural paper masks, Titus instead uses the process and materials of drawing to engage the paper, resulting in a two-dimensional object with a compelling language of drawing - agile lines articulated in his distinct hand…

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Raquel Albarran: Amputation Farm

A robust visual language slowly unfurls across Albarran’s supersaturated drawings, her personal preoccupations translated here through densely applied colored pencil marks. Endearing yet grotesque tableaux are populated by impossible pregnancies, deconstructed cheeseburgers, disarticulated jaws, splayed toes and fingers, disembodied eyeballs, knobby phalluses, and prolapsed organs.

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Billy White: Coming to America

Coming to America at Shrine marks Billy White’s well-deserved inaugural solo exhibition in New York, offering an exuberant selection of recent work; the paintings and sculptures currently on view dynamically illustrate White’s definitive creative focus and sustained capacity for fearless reinvention. ..

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Michael Pellew: #1 Under Control World Tour

#1 Under Control World Tour featured ten drawings and four paintings by the prolific Brooklyn based artist in Western Exhibitions’ intimate back gallery. The tight installation felt appropriate for Pellew’s populous works; as usual the drawings were teeming with congregations of favorite music and TV icons, the occasional friend in real life, and fantastic alternate identities…

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